About

Matt Bell is the author of a forthcoming fiction collection, How They Were Found (Keyhole, Fall 2010), as well as a novella, The Collectors, and a chapbook, How the Broken Lead the Blind. His fiction has appeared or is upcoming in magazines such as Conjunctions, Willow Springs, Unsaid, American Short Fiction, Redivider, Gulf Coast, Caketrain, Hayden's Ferry Review, Hobart, Barrelhouse, Monkeybicycle, and Gargoyle.

He is also the editor of The Collagist and the series editor of Dzanc's Best of the Web anthology series.

He lives in Ann Arbor, Michigan, and can be reached via e-mail at mdbell79@gmail.com.

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The Collectors

How the Broken Lead the Blind

How They Were Found
The Collagist

A new literary magazine published by Dzanc Books, edited by Matt Bell with Poetry Editor Matthew Olzmann. Now available at www.thecollagist.com.

Published Fiction
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Currently Reading...
  • Vanishing Point: Not a Memoir
    Vanishing Point: Not a Memoir
    by Ander Monson
Anthologies
Awards and Recognitions
  • 2009 Wigleaf Top 50 Very Short Fictions Selection, for "This Showroom Filled With Fabulous Prizes"
  • 2009 Dzanc Best of the Web Notable Story, for "The Folk Singer Dreams of Time Machines"
  • 2008 Caketrain Fiction Chapbook Contest Runner-Up, for The Collectors
  • 2008 Keyhole Fiction Chapbook Contest Finalist, for The Collectors
  • 2008 Million Writers Award Winner, for "Alex Trebek Never Eats Fried Chicken"
  • 2008 Dzanc Best of the Web Notable Story, for "Alex Trebek Never Eats Fried Chicken"
  • 2008 Pushcart Prize Nomination for "The Folk Singer Dreams of Time Machines"
  • 2008 Pushcart Prize Nomination for "Ken Sent Me: Lost in the Land of the Lounge Lizards"
  • 2007 Storyglossia Fiction Prize Finalist, for "Alex Trebek Never Eats Fried Chicken"
  • 2007 Pushcart Prize Nomination for "A Certain Number of Bedrooms, a Certain Number of Baths"
  • 2006 Pushcart Prize Nomination for "The Present"
  • 2006 Pushcart Prize Nomination for "White Lines and Headlights"
  • 2006 Pushcart Prize Nomination for "Rosemary Blooming"
« Memorious Issue #12 | Main | Reading with Michael Czyzniejewski at Shaman Drum Bookshop on June 24, 2009 »
Wednesday
24Jun2009

Support Dzanc, Get 300+ Pages of Essays on the Short Story

From the e-mail that went out this morning:

 

This past May's celebration of the short story produced an extraordinary number of great articles, blog posts and reviews in support of Short Story Month. We at Dzanc thought what a wonderful resource it would be to compile some of these essays into one publication. In partnering with Matt Bell of www.mdbell.com, Aaron Burch of Hobart, Steven McDermott of Storyglossia, and our own Dan Wickett at Emerging Writers Network, Dzanc has put together a collection of no less than 160 essays, covering over 320 pages, into one book. Each essay explores a specific story and/or collection by authors both heralded and overlooked, all deserving of a first - or second, or twelfth - read.

As we are all readers and lovers of great writing, the chance to have a compilation of essays that champion some of the great stories and story collections of our time, provides an invaluable tool to turn to when wondering what to read next. Dzanc Books - as part of its mission as a nonprofit 501(c)3 press dedicated to bringing literature and lit programs to a wider audience - will mail you a copy of these Short Story Month Essays for a minor tax deductible donation. On top of publishing great works of literary fiction, Dzanc Books provides workshops for students in the public schools free of charge. Our Dzanc Writers In Residency Programs matches writers with students whose schools do not otherwise provide students the opportunity to explore their own creative voices. Dzanc covers all expenses for these programs, which run several thousand dollars each. All monies donated to Dzanc for the purchase of our Short Story Month Essays will go 100% to our charitable programs which Dzanc conducts nationwide. A ten dollar donation will cover our costs (printing and shipping) on our SSME and, understanding these harsh economic times, we wont appeal to you for anything beyond which you can afford. We believe these essays provide insights and recommendation for books and authors which can be turned to again and again. Dan and I thank you in advance. To get your own copy, please visit our support page at http://www.dzancbooks.org/support and make a tax deductible donation of ten dollars or more. Please email Dan at info@dzancbooks.org if you have any questions.

Sincerely,

Steve Gillis
Dan Wickett
Dzanc Books
www.dzancbooks.org


A Note From Ben Percy


If you fell from the sky and landed on any street corner in this country, you would not know where you were, lost in the concrete maze of Taco Johns, Burger Kings, Best Buys, K-Marts, Wal-Marts. Sometimes I feel similarly adrift and headachey when wandering a chain bookstore, where the same two dozen authors stare out at me from slick dust jackets, where short story collections are difficult if not impossible to find, where novels are weighed down with codes and techno-jargon and brand-name clothes and throbbing euphemisms, where literature sometimes feels as substantial as a Big Mac and fries.

Which is why Dzanc comes as a welcome shot of adrenaline to the heart. It is a publishing venture that transcends the bottom-line, that trumpets what the big houses have crassly elbowed aside, that reminds us reading is more than entertainment, that books are more than commodities. Their standard is bad-ass literary excellence, no matter if it can't be tidily packaged or pitched by some agent at a cocktail party where everybody wears black and none of the cheese is yellow. If you look at their line-up of emerging and established rock stars -Yannick Murphy, Terese Svoboda, Kyle Minor, Roy Kesey, Laura van den Berg, and Michael Czyzniejewski, to name a few-it's quite clear that Dzanc is a force.

But they're also visionary-with their Best of the Web anthologies-and goodhearted-with their affordable online workshops, their writer-in-residence program, and their prize for literary excellence and community service-not to mention many-tentacled-with their imprints (OV Books, Black Lawrence Press, Monkeybicycle), their new online magazine The Collagist, and of course the Emerging Writers' Network (where the magic began).

Folks, we're talking about a homegrown wonder, something to applaud, a bit of a miracle. I'm not at all surprised, but I'm heartened, that Publishers Weekly called Dzanc the future of publishing; the industry should be so lucky. Join me in supporting them. Or else.


Sincerely,

Benjamin Percy

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